I found this interesting from Wikipedia regarding patrons: "Frequently, it would seem, the wealthier the client, the more
conservative the painting. There was a very good reason for this. The
paintings that were commissioned made a statement about the patron. Thus
the more gold leaf it displayed, the more it spoke to the patron's glory. The other valuable commodities in the paint-box were lapis lazuli and vermilion.
Paint made from these colours did not lend itself to a tonal treatment.
The azure blue made of powdered lapis lazuli went on flat, the depth
and brilliance of colour being, like the gold leaf, a sign of the
patron's ability to provide well. For these reasons, altarpieces
are often much more conservatively painted than frescoes, which were
often of almost life-sized figures and relied upon a stage-set quality
rather than lavish display in order to achieve effect."
Top painting:
The Annuciation
Fresco
1440's
Museo di San Marco, Florence
Botton painting:
Transfiguration of Christ
Fresco
1441
Museo di San Marco, Florence
Wiki: http://en.wikipedia.org/wiki/Fra_Angelico
No comments:
Post a Comment